銅雕佛像帶背光象征著什么

背光是什么？背光”也稱“光背”，背光和坐臺一樣，同樣是銅雕佛像組成不可分離的部分，背光一般在佛和菩薩的頭部和身后，銅佛像背光是一種象征，因此，他是銅佛本體的一部分。

What is the backlight? "Backlight" is also known as "light back". Like the seat, the backlight is also an inseparable part of the bronze Buddha. The backlight is generally on the head and behind the Buddha and Bodhisattva. The bronze Buddha backlight is a symbol. Therefore, it is a part of the bronze Buddha itself.

銅佛像的背光的形式種類很多。從外形來分有：圓形背光，輪型背光，船型背光，珠寶型背光，蓮瓣型背光，光頭身光背光，放射型背光等。

There are many forms of backlight for bronze Buddha statues. From the appearance, it can be divided into: Circular backlight, wheel backlight, ship backlight, jewelry backlight, lotus petal backlight, bald head and body backlight, radial backlight, etc.

銅佛像背光從內容和紋飾來分有：唐草光，飛天光，云頭光，千佛光，五佛光，七佛光，火焰光，五龍二鳳光，七龍二鳳光，也有云頭，火焰，唐草，飛天，佛龍，鳳等綜合性背光。

From the content and decoration, the backlight of copper Buddha statues can be divided into: Tang Cao Guang, flying light, cloud head light, thousand Buddha light, five Buddha light, seven Buddha light, flame light, five dragon and two phoenix light, seven dragon and two phoenix light, as well as comprehensive backlight such as cloud head, flame, Tang grass, flying sky, Buddha dragon and Phoenix.

背光有兩種，一種叫頭光，另一種叫身光。頭光又叫頂圓光，其火焰是由眉間的白毫放出的，是佛“三十二相”中間“眉間白毫相”的體現。此光焰聚集在頭部的后方，常見的有火焰型，珠寶型，圓形等。

There are two kinds of backlight, one is called head light, the other is called body light. The head light is also called the dome light. Its flame is emitted by the pekoe between the eyebrows, which is the embodiment of the "pekoe between the eyebrows" in the middle of the Buddha's "thirty-two phases". This flame gathers at the back of the head. Common types include flame, jewelry, round, etc.

一般來說，銅佛像有頭光和身光，菩薩沒有身光只有頭光，羅漢與弟子則沒有背光，而護法諸神中的明王一類，鑒于裝飾的需要，結合其忿怒的臉像，故其背后常飾以狀似忿怒的火焰光來表示。

Generally speaking, bronze Buddha statues have head light and body light, Bodhisattvas have no body light, only head light, Arhats and disciples have no backlight, while the Ming king, one of the Dharma guardians, is often decorated with flame light like anger in view of the need of decoration and its angry face.